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April 11, 2007
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:icondanshive:
Everything I have to say is pretty much in the image above. I know some people who might find this helpful, though I suspect I won't be winning any "you've changed the way I look at Illustrator" awards any time soon ^^;
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:iconblakmanta:
Xara Xtreme is even...'weirder' XP lol
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:iconchibimania:
I used something on the internet that was similar to Illustrator once... It was something about a "One Million Masterpeice" or something. But I've never really used Illustrator before, unless I count that time when I was 8 and accidentally messed up a two-thousand dollar print job my father was working on for this company.

But other than that, I've pretty much only used Photoshop. I would use Illustrator if I could, but it costs like 47836587436874365782634758634857 million kajillion buhzillion dollars to get.
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:icondayantis:
Can't say I even have a copy of Illustrator, but by gum it looks damn weird!
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:iconkuberrrebeck:
Actually you have changed the way that I look at illustrator. I am studying it at my vo-tech program but the whole breaking into into sections idea is something I've been meaning to try. Right now I'm just messing with brushes though.

*saves picture to computer.
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:iconroeder:
So theres mutiple layers to this picture? And each layer needs to be colored in seperately?
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:iconsknywhtboy88:
AAggh! So much stuff, inking in illustrator, importing, coloring in flash, import again, rub a baboon on it!...I know how to use a pencil...
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:icondaffydwagstaff:
~DaffydWagstaff Apr 12, 2007  Hobbyist Digital Artist
I would've wussed out, but that's just me.

<,<
>,>
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:iconfoxby:
GiVe HiM a FrO.... XD
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:iconvidthekid:
~vidthekid Apr 11, 2007  Hobbyist Digital Artist
That looks like how I'd expect it to go in pretty much any vector drawing program. Flash's "fill tool" or whatever they call it is certainly above and beyond the standard set of vector drawing tools (from a developer's standpoint).

Sometimes I draw all the line art first, with vector objects that have outlines and no fill. Then I do the coloring by creating objects with fill and no outline, and put them behind the line art objects. The resulting potential for "coloring outside the lines" may actually be desired, depending on the style of the piece.
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